Totally Tippi

On April 9th, Hilary and I and two other school chums packed our bags and took a road trip to Ann Arbor, Michigan for the TCM Road to Hollywood screening of Hitchcock’s Marnie (1964).  Not only was this a TCM event, but the star herself was going to be interviewed by Ben Mankiewicz – TIPPI HEDREN!

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Before we get to Tippi, let’s just talk about the theatre.  The Michigan Theatre was what every theatre should be – a movie palace!  When you walk into the building, you know this was built to worship the cinematic gods of the silver screen.  Growing up in churches, I can verify that this theatre was attempting to instill a spirit of worship in the patrons.  If you are a history buff, this short Wikipedia article has a summary of the theatre’s past: http://en.wikipedia.org/wiki/Michigan_Theater_(Ann_Arbor,_Michigan)

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Did you know TCM is sponsored by Porsche?  Basically, to keep TCM commercial-free, we must all buy Porsche vehicles.

The prelude came in the form of an organ player.  The organ is original to the building which is a rare thing to find!  The organist played songs such as the Psycho theme, Would You?, and If Love Were All.

Finally, Ben stepped out onto the stage.  He started the evening talking about his victorious gambling feat the previous night due to the University of Michigan’s loss in the March Madness final.  Ben, if you are reading this, please seek help for your gambling problem.  You seem to talk about it a lot.  We care.

We found his remark to be rude, but Tippi Hedren was not afraid to put him in his place!  She may be 83 years old, but she still has spunk and can rock those three-inch heels!  She was a darling to listen to and still has the Tippi Hedren voice.

Can you see the heels? She is probably scolding Ben in her playful manner when this shot was taken.

Can you see the heels? She is probably scolding Ben in her playful manner when this shot was taken.

Time was limited, but Tippi revealed a lot about her life.  Having only been in two major Hollywood films, she is not as famous or well known as she could have been.  She was a successful model before Hitchcock discovered her.  When Hollywood contacted her, they could not tell her who was interested in signing her on to a seven year contract.  They told Tippi it was the famous Alfred Hitchcock who found interest in her after she signed the contract.  This is when Ben asked, “Did you have a ‘holy shit’ moment?”

To which Tippi replied, “It’s called acting, my dear.”

Tippi was very articulate about her experience under contract for Hitchcock.  His obsession with her drove her to demand a release from her seven year contractual duty.  He refused to break her contract or let other producers borrow her for their films.  He answered their pleas with, “She is not available.”

Discovering that someone so highly revered acted this way toward a woman and his star is very disheartening; however, she was very positive about her experience and was respectful towards him despite the grievous wrongs he committed against her.  She told us she has two images of him: one is Hitchcock the genius, the other is Hitchcock the troubled man.  The greatest moment of the interview was when she confidently told us, “He may have ruined my career but he didn’t ruin my life.” There may have been some people in the audience who are or have previously experienced the same situation as Tippi and needed to hear her optimism.  Thank you, Tippi, for being a voice of strength for victims of harassment.

Life after The Birds and Marnie led her to rescuing lions and tigers.  She still keeps 47 big cats in her shelter which is located 45 minutes outside Los Angeles. To expand and renovate the shelter, she needs $1.2 million — that is on top of the 400-500 pounds of meat she feeds the cats each day!  This little woman has made a roaring impact on the felines’ lives.  For more information, or if you would like to donate, visit her website: http://www.shambala.org/index.htm

Watching Marnie in the movie palace with a packed theatre is how classic films should be treated.  I have seen classic films in the general, big-chain theatres with perhaps six other people in the audience, but this was a hundred-fold more magnificent.  It felt like a collective experience.  We were all there for the same purpose.  As a younger person who often felt alienated for adoring classic films, it was a comforting feeling to be watching a film with a community of fellow film fans.

Personally, I enjoyed the film.  Every film is going to have it’s “problematic” issues, but I believe Marnie deserves to be taught in Film Studies classes.  It is not a quintessential Hitchcock film, but it raises a lot of discussion surrounding gender performance and psychology.

One of the best things coming out of the screening was the ability to say, “Hello, my name is Katie and Marnie was spoiled for me by Tippi Hedren herself!”  I had never seen Marnie before and Tippi spoiled the plot for me during the interview.  Not many people are able to say that the star of the film revealed the plot twist to them.  All in all, the evening was unforgettable, and the four of us had a grand time taking a break from exams to see Tippi and Marnie.

Now that is how movies ought to be watched!

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Making New Friends Through Movies: Meeting Kurt and Paul

If you are a classic film fan and follow the latest news about classic films, then you have probably heard of the documentary, These Amazing Shadows (2011).

If you are a classic film fan, you have probably met most of your closest friends online because die hard classic film lovers are few and far in between.

Over the past year, Hilary and I have enjoyed getting to know the directors of These Amazing Shadows: Kurt Norton and Paul Mariano.  They approached us to review their film before it aired on PBS in December 2011 (which can be read here).  We were so inspired by their love letter to films, we decided to invite them to present These Amazing Shadows to our university.  We asked them if they were interested, they said yes, and we started the long, long process of organizing the event.

One year and hundreds of emails later, Kurt and Paul finally arrived at our campus on Monday, March 4th, 2013.  It was one of the most memorable days of our university experience!  They are charming, vibrant, young-at-heart gentlemen.  Not a silent second passed between the four of us in the entire day we spent together.  We enjoyed each others’ company over lunch and an interview we will be releasing in the near future (it may be a two-part interview!).  It was a treat to be able to discuss deep topics surrounding film throughout the afternoon with these two intelligent men.  They are funny, too!  A quick glance at this picture will tell you how we all quickly formed a goofy bond among ourselves.

Katie giving Kurt the stink-eye as he documents Paul giving bunny ears to an oblivious Hilary.

Katie giving Kurt the stink-eye as he documents Paul giving bunny ears to an oblivious Hilary.

The people who attended the screening of These Amazing Shadows were enamoured with the documentary, its unique style, and of course, its subject of the love of Hollywood films and the need to preserve them.  The Q&A session following the screening was lively.  It was a joy to see the students clamouring to interact with Kurt and Paul after the Q&A was wrapped up.  All the hard work we put into the past year in raising funds, climbing out of pitfalls, and unwrapping ourselves from red tape was worth it!  Our day with Kurt and Paul scurried away far too quickly, and before we knew it, we were escorting them back to their car in the parking lot.  We started off the day shaking hands as long-distance acquaintances and hugged each other goodbye as good friends.

It is incredible to experience how networking can bring people unexpectedly together.  Through the shared passion for films, we had the honour and privilege of meeting two extraordinary men, sharing a day of our lives with them, and introducing a few aspects of Canadian culture to them.  Maybe it isn’t so fascinating how we met Kurt and Paul.  After all, you never know you will meet when you delve into the world of these amazing shadows…

Kurt Norton, Hilary, Katie, Dr. Katherine Spring (a huge help to us in organizing this event - thank you!), and Paul Mariano

Kurt Norton, Hilary, Katie, Dr. Katherine Spring (a huge help to us in organizing this event – thank you!), and Paul Mariano

WHO Won?!: A Podcast for the Oscars

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In this Oscar-themed podcast, we interview Robert James, author of the book WHO Won?!: An Irreverent Look at the Oscars 1927-1943. The first of many volumes, the book delves into the details of the winners and nominees of the Golden Boy in the years between 1927-1943, and argues which movies should have won — or not.  Robert James explains how he organized the book, gives us some interesting history lessons, and offers his perspective of the future of the Academy Awards.  You won’t want to miss this show of The Scarlett Olive…

Life Lessons from Charlotte Vale

Think about it: Charlotte Vale is such an inspiring character.  It doesn’t matter if your male or female – her journey seen in Now, Voyager (1942) can inspire us all to take care of ourselves and be aware of our physical and emotional well-being.

When you’re at rock-bottom, the only place to go is up (how cliche, but true).

When we first meet Charlotte in the film, she is the epitome of what an “old maid” of thirty should be.  She is “frumpy” because she is not allowed to diet, sports some furry eyebrows behind a pair of glasses, and can only wear “sensible shoes.”  Her spirit has been broken by her battle ax of a mother.  Her escape comes in the form of a meltdown from being dominated for so long.  When there was no hope in having a happy life of her own, Charlotte was given the gift of confidence by Dr. Jacquith.  Too bad we can’t all go to a rest home every time we slam down a tea kettle and cry.

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Learning to walk in new shoes

The ones who help you along the healing journey may be a surprise.

We all lay at night creating scripts for our life to follow.  It never follows the stage instructions, but we keep internally writing our lives anyway.  I bet Charlotte never imagined she would meet a dashing, married man on a cruise ship who would be the inspiration to help her pick up the pieces of her shattered self-esteem.  Maybe she thought of adopting a dog during one of these nights of self-reflection in the rest home, but no, the moon and stars would not have that (and her mother probably would hate the dirt a dog would track in the house).

We often don’t give children the credit they deserve.  Their presence reaches a place within us that company with a peer cannot caress.  Charlotte found a chance to correct her past through Jerry’s daughter, Christina.  Karma is real…in the movies.  By consoling a sad, unwanted little girl, Charlotte mended the pain of her own childhood.

Go with you gut. Do what feels right.

If you like an article of clothing, WEAR IT!  Don’t listen to one person’s negative opinion.  Charlotte realized her mother controlled her life through her wardrobe.  Clothing is a form of self-expression, so use this medium to tell people who you are…not who someone else wants you to be.

You can’t have everything.

As much as you can help yourself, there are some thing that cannot be conquered. Personal prejudices may keep you from someone you love.  Finances may prevent you from shaking the dust of your hometown off your boots to pursue education or adventure.  Due to Charlotte’s social situation, she could not totally embrace Jerry as her own partner because his wife refused to divorce him, but she learned to survive with what she had which was better than what she began with at the film’s commencement. We can’t have everything that makes us feel whole along our experience in life, but how those elements shaped us can influence our perspective of life. Let me close with the famous last line of the film: Oh, Jerry.  Don’t let’s ask for the moon.  We have the stars.

Dangerously Dietrich: The Original Femme Fatale

It’s no secret that we love Dietrich, so enjoy this in-depth glance at Marlene’s impact on the film noir mode in America as the original femme fatale.

Classical Hollywood film noir depicts a specific type of woman, one who is chained only to her selfish desires and autonomy. These characters, femme fatales, are defined as products of male anxiety due to women in the workplace and on the home-front during World War II which are exteriorized in Hollywood film noir narratives.

Ann Savage as Vera, the femme fatale in “Detour” (1945)

However, research preceding the film noir mode provides information regarding the rise of femme fatales in a discourse predating World War II to the postwar Weimar Republic in Germany. Films in the Weimar Republic often depict a “New Woman” representative of  male anxieties which arose in the early 1910s due to women’s liberation and later resurfaced in post-World War I cinematic features. Silent films occasionally portrayed this New Woman, but the first major “talkie” in Germany, Der Blaue Engel (von Sternberg, 1930), opened doors for a rising star, Marlene Dietrich, to hone and eventually iconize the characteristics of the New Woman—and later femme fatale—in a large majority of her filmography. Therefore, it is our belief that the femme fatale is a product of the Weimar Republic attributed to the actor-director partnership of Josef von Sternberg and Marlene Dietrich.

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